Before anything is made, the space is tuned, candles are lit to bring in the light, tools laid out with care. It is a quiet kind of preparation, less about order and more about readiness.
This is where I focus my intention and the work begins long before hands touch the canvas.
Creation moves slowly at first. Sculpting is a conversation with form, listening as much as shaping, nothing is rushed.
Painting arrives as a second breath, layers building, colours responding to one another. Throughout it all, intention is set gently rather than forced.
Each piece holds a mood, a question, a direction that guides the work I do.
When the piece feels complete, it is given time, this allows it to speak to me and then the crystal energy is chosen.
Only then does photography enter, not to alter the work but to witness it
Light is chosen to honour texture and depth, angles considered so the piece can be seen as it wants to be seen.
The final image becomes a quiet extension of the process, a way of carrying the work beyond the studio while keeping its essence intact.
